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The Rolling Stones Mick Taylor

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     Mick Taylor was a great replacement guitarist for Brian Jones of the Rolling Stones. His keen sense of melody and ability to jam were fresh for the Stones. Think of the end of "Sway." Taylor joined the Stones in 1969.       Taylor played on the following albums from the Stones: Let It Bleed (1969), Get Yer Ya-Ya's Out (1970), The Rolling Stones in Concert (1970), Sticky Fingers (1971), Exile on Main Street  (1972), Goats Head Soup (1973) and It's Only Rock 'n Roll (1974).       When Taylor was in the Stones, he fostered the best and most creative writing and guitar playing. Mick Taylor challenged Keith. They worked well together.       Keith is one of my favorite songwriters, and he upped his game, as did Mick Jagger when Mick Taylor was in the band. Taylor challenged them and intimidated them a bit. They got bluesy, too. Mick Taylor was a great slide player. If you haven't considered him a Rollin...
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Tony Iommi, Black Sabbath

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    Did you know that Tony Iommi, guitarist of Black Sabbath fame, lost a couple of his fingertips on his right hand? His index and middle fingers, to be exact. Being left-handed, this would have been his fretboard hand. He worked in a sheet metal factory and accidentally cut them off. Ouch! It almost stopped Iommi from playing guitar, but a friend, seeing Iommi's depression from not playing, played Iommi a record of Django Reinhardt.  A guitarist of Jazz fame. Iommi didn't know until after hearing Reinhardt that Reinhardt had severely burned his ring and index finger on his left hand but kept playing. Iommi was impressed by the jazz great. His friend then revealed that Reinhardt could only use two fingers on his fretboard hand.       This got Iommi inspired and back on the saddle again. Tony used light guitar strings and even banjo strings , dropping the string tension to make them looser.  He dropped his tuning to C# Standard and D# Standard...
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Peter Cetera, "25 or 6 to 4" Did You Know?

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      According to Far Out Magazine's Poppy Burton,  Peter Cetera, the lead singer on "25 or 6 to 4" from Chicago II , was at an L.A. Dodgers vs. Chicago Cubs game back in 1969 when he was attacked by four marines . The Dodgers lost to the Chicago Cubs. Cetera was celebrating the win, clearly as a Chicago Cubs fan. The celebration, coupled with his long "hippie" hair, didn't sit well with the uptight Marines. He sustained a trip down some stairs, and he was punched in the face. Cetera ended up with a broken jaw (in 3 places) and a stay in ICU. That didn't stop Cetera from recording, though. He recorded 25 or 6 to 4 with his jaw wired shut. Next time you hear the song, listen to it. I personally can't tell that his jaw is wired shut at all. It's a fantastic recording. As a result of the injury, Cetera developed his singing style with clenched teeth. Check out the tune on Spotify and see if you can tell that his jaw is wired shut:  25 or 6 to 4
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